Wednesday, 12 September 2018

P&C at Premiere Vision


P&C are jetting off to Paris again next week,
where we'll be at Premiere vision with our magical new collection. 

Pop down to stand 5V69 from 19th - 21st September
and take a look at what illustrative treats we have on offer.

Hope to see you there!


Tuesday, 11 September 2018

Spotted: Angel Dear

We love working for beautiful baby brand Angel Dear, so we're excited to show you some of their latest designs featuring our prints.

Across super cute baby clothing, accessories and swaddles, we love how our designs have turned out and we hope you do too!


































(Images copyright of Angel Dear)

Friday, 7 September 2018

Studio Assistant Position



We're on the hunt for for a super-duper Studio Assistant to work full time
in our Northampton studio.

This is an exciting and varied role for an extra special person, who can assist in multiple areas of the business such as administration, travel, account management and marketing.

We are looking for someone with a background in a creative industry, retail, or a design studio, who has an excellent working knowledge of MS Office and Adobe Illustrator/Photoshop, and is great at juggling multiple tasks and keeping everything running smoothly.

If this sounds like you, the full job description can be found on our website here.

All applications should be sent to jobs@paperandcloth.net

Closing date: September 28th





Wednesday, 22 August 2018

Spotted: Tu Clothing


This week we've spotted some gorgeous P&C floral prints
in Tu Clothing at Sainsbury's. 

We love the super pretty foliage and painterly watercolour technique, 
especially on that super snuggly body warmer - too cute!










(Images copyright of Tu Clothing)

Monday, 30 July 2018

P&C at Printsource 2018


Woop wood! It's Printsource time again!

The 7th & 8th August we'll be hanging out with out collection
at the Hotel Pennsylvania NY and we'd love to see you.

Come say hello at booth 36/38 and have a chat about the latest trends,
newest illustration techniques and exciting print designs.

Friday, 13 July 2018

Bec for Anthropologie!


It's safe to say we're more than a little it excited to share this new commission for Anthropologie!

 As a dream client of Bec's, we couldn't be prouder to see how amazing her artwork looks on this gorgeous kid's bedding collection.

We thought we'd take this opportunity to ask Bec a little bit about her working process on this project...


Hi Bec, we absolutely love this collection! How did this particular project come about?

Thank you! For Spring/Summer 18, Paper and Cloth has been working on an 'Abu Dhabi' inspired trend - think ornate buildings, decorated animals and rich, opulent colours. After looking through the Portfolio at Surtex, Anthropologie commissioned me for the artwork based on my handwriting for this trend.


What was the inspiration behind this design?

This collection was influenced by the souks, buildings, patterns and characters of Abu Dhabi and the Middle East. I am a magpie for any delicate and intricate details in design and so I felt inspired to take all the beautiful imagery and colours from this area and create artwork that was totally fun and quirky yet still contemporary.  

This involved taking reference from the modern and angular characters of Charley Harper and combining them with the intricate shapes of old Middle Eastern architecture and tiles.


How did you go about creating the artwork?

I always start with a good moodboard! This collections board included character references for pose and shape, rich colour palettes and images of architecture and tiles.  

As a true doodler, my signature style of illustration is always completely hand drawn with fine liners and brush pens. I had a rough sketch of shapes and patterns in pencil, before using my Lightbox to trace over assets with a fine liner pen. The pens are primarily a 0.05 or 0.1mm, allowing me to ink up super dinky details and elements.  

Once scanned in, I then played around with layout and colours in Illustrator, layering up doodled line work over textured characters and shapes. Hand drawing illustrations allows me to really capture as much of the detail as possible.

What was your favourite part of working on this project?

Well Anthropologie has always been my DREAM client so that's tough because my favourite part was honestly the entire process from brief to literally seeing the products online!  

It was really lovely that as they liked the handwriting of my portfolio and the way I had interpreted this trend initially, I had quite a lot of creative freedom with the brief!


We hope you love this collection as much as we all do!


(Product images copyright of Anthropologie)

Friday, 29 June 2018

Studio Life: Getting to know... Laura






Hi Laura! Can you start off by telling us a little bit about where you gather your inspiration from?

Instagram is probably the platform I check most regularly, as well as good old Pinterest, which is so good for collating inspiration.    

Scouring through my favourite shops is always a good bet too and it feels less like researching and more like shopping which is always a treat. Shops like Oliver Bonas and Anthropologie always get a visit!

And how does your working process usually start?

It almost always starts with some inspiration references and a pencil! I like to sketch out rough ideas, then use the light box to refine the layout and composition. Then it’s either time to paint it out or scan the sketch in and work over it digitally. Things don’t always go to plan once colour is added, so things get tweaked and improved along the way.





What design tools couldn't you live without?

A pencil and some paper! Hand-drawing is where I feel most confident so I always like to sketch things out by hand first rather than going straight to the computer. 

I also love to finalise things with indian ink, brush pens or gouache, so a selection of paintbrushes in different sizes come in very handy.

Photoshop is also pretty essential as things don't always turn out perfect on the first go, so it's great to be able to scan in and edit hand-drawn or painted elements and make them look their best.






Who are your Illustration heroes?

There are sooooo many, and with the constant sharing that goes on online I think I must find a new illustration hero every week!

It’s so hard to choose, but at the moment I am a bit obsessed with Megan Galante (below) her clean, paired back fashion illustrations and hand-painted florals. I also love Alessandra Genualdo's slightly moody girls - they're always rocking such beautiful florals outfits!


I’m also love a bit of crafting, and two of my biggest heroes are fibre artist Sally England and weaver Marianne Moody, who create amazing macrame wall art and weavings respectively. If I was ever to splash out on something for my walls it would definitely be some of their work.


Who would be your dream client?

I think Anthropologie is definitely up there. I would also absolutely love to illustrate a book cover or a collection of classic children's stories - books like Grimm's tales or Hans Christian Anderson were always my favourite as a child, so it would be amazing to reimagine these now as an illustrator.

What are you currently reading?

I’m currently working my way through “Animal” by Sarah Pascoe (I’m a very infrequent reader these days) which is a really fascinating look into different aspects of being a human, told in a really hilarious way!

In terms of kid's books I am loving Cannonball Coralie and the Lion" by Grace Easton - beautiful fun illustrations from start to finish and packed with great characters.

What is your favourite piece of artwork you have on display at home? 

My favourite at the moment is my “Tibi Gal” print by Isabelle Feliu (below). I love the minimal colour, the cool proportions and the fine line work. It has pride of place in the living room. I also have lots of amazing artworks from some very talented friends - artwork is that bit more special when you know the artist.



What are some of your favourite things outside of work?

Some weekends I volunteer at Brinsley Animal Rescue - They’re a great sanctuary for former commercial animals and wildlife in need of rehabilitation. It’s really nice to get outside and hang out with some lovely people and all the amazing animals, even if it does involve a fair amount of shovelling manure! 

Yoga is also a great way to relax, I go to regular classes and find that it really helps stretch out my back after a week hunched over illustrating.

And I couldn’t not mention my furry little studio buddy Susie (below) - we love our animal friends here at P&C and she is my little ray of sunshine!